Thomas Dalton, Boston Abolitionist (1794—1883)

Gibson House Museum( 1992.401.82) 

The women of the Gibson Family—Catherine Hammond Gibson, Rosamond Warren Gibson, and Mary Ethel Gibson Allen—kept albums filled with photographs of relatives and friends. These images were typically studio portraits, traded as part of the custom of leaving calling cards when paying someone a social visit. At the Museum, we find them to be a helpful "who's who" of Boston, and especially the Back Bay, in the nineteenth century.

In two different albums, Catherine included a photograph of Thomas Dalton. Dalton was a free African-American man born on the North Shore in Gloucester in 1794 who became a well-known activist and abolitionist in Boston's Black community. At the age of twenty-three, Dalton moved to Boston, where he first worked as a bootblack. He eventually opened his own used clothing store on Brattle Street and went on to become a prosperous merchant. His store, located near today's Government Center, was at the foot of the west slope of Beacon Hill, the center of Boston's Black community.

Little Women Clubs and Boston Philanthropy

Illustration by Jessie Wilcox Smith, c. 1915.

Louisa May Alcott’s Little Women, published just after the Civil War, was a runaway best seller that impacted generations of readers and significantly influenced American culture as a whole, through countless editions, versions, sequels, translations, images, plays, and films. Little Women was so compelling that it inspired young fans to create spontaneous clubs, such as the “Little Men and Little Women,” the “Alcott Reading Club,” and the “Alcott Literary Club.” Inspired by the March sisters’ Pickwick Portfolio, five sisters from a small town in Pennsylvania created a family newspaper in 1871 that boasted a thousand subscribers nationwide before winding down a few years later.

     
A charming spinoff, The Little Women Club (1905), by Marion Ames Taggart, a children’s book about four friends aged eleven to thirteen who decide to form a club and who enact the novel in their daily lives, seeded Little Women Clubs across the United States. The clubs became so popular that adults soon took notice and began taking control. Some clubs were created to preserve the Alcott homestead, Orchard House, transforming it into a house museum. Young settlement workers followed the trend, creating a Louisa M. Alcott Club for Jewish immigrants, which aimed to “instruct small girls in all branches of housekeeping.” There was an Alcott Club sponsored by Hull House in Chicago, and a San Francisco chapter of the Little Women Club that provided poor children with “practical and moral training” and a few weeks of country life under the care of settlement workers. Little Women Clubs became generally associated with mental cultivation, character development, and philanthropy.

In December of 1905, Rosamond Warren Gibson attended a Congregational church fair in Norwood, Massachusetts, which was sponsored by the “Mission Circle” and the “Little Women.” Rosamond was on the Committee of Arrangements. Cake and candy tables, a fancy table (featuring precious or whimsical handmade items for sale), and a photo and art table were all well patronized. Entertainment consisted of a cantata entitled Santa Clause’s Mistake, a dumbbell drill by two squads of girls, with piano accompaniment, and “a tambourine drill in Spanish costume by 12 young ladies.” Designed to promote mental cultivation, character development, and philanthropy, Little Women Clubs were an outgrowth of two important social trends spanning the late nineteenth and early twentieth centuries: the women’s club movement and the settlement house movement.

Power in Suffrage

This blog post is part of a series about the Gibson family and the lead-up to the 1920 presidential election, which promised "a return to normalcy" after many years of social upheaval. Read about Boston's experience of World War I here and Boston during the flu epidemic of 1918 here.

The first two decades of the early twentieth century saw huge social movements in the United States, most notably the suffrage movement. Women had been fighting for their right to vote for many years, but the movement gained more traction in the 1910s. Women across the country marched, protested, and rallied for suffrage. An anti-suffrage movement also existed, largely driven by white, upper-class women. These women, although still second-class citizens in the United States, possessed a degree of relative privilege due to their race and class. The Gibsons belonged to this group, and the Gibson women used their position to advocate against women’s suffrage. 

Mary Ethel, the oldest Gibson daughter, was an anti-suffragist. In 1914, she and many other Back Bay women sold red roses to the public just ahead of a suffrage parade. As red was the color of anti-suffrage, the women intended for the thousands of roses to make a “dignified protest” against the suffragists in Boston. She protested alongside other women from her social circle during this event. Mary Ethel may have also participated in other anti-suffrage events in Boston; her sister and mother may have felt similarly about the cause.

Boston Globe, October 17, 1915.

The upper-class culture of Beacon Street led to its becoming a center of anti-suffrage in Boston. In fact, suffragists in Boston called the street “enemy’s country” because of its large anti-suffragist population. These privileged women could not take part in governmental politics, but were able to be involved in and influence the social politics of their upper-class culture through their connections. 

Epidemic in the City

This blog post is part of a series about the Gibson family and the lead-up to the 1920 presidential election, which promised "a return to normalcy" after many years of social upheaval. Read about Boston's experience of World War I here and the Gibsons and suffrage here.

In the spring of 1918, in the midst of World War I, an influenza virus called Spanish Flu (or “Grippe”) because it was believed to have originated in Spain, spread through the United States. A lethal second wave began that summer in Boston. Much like the waves of the COVID-19 pandemic we are currently experiencing, the influenza of 1918 turned daily life upside down. 

Influenza cropped up in Boston in late August of 1918 at Commonwealth Pier, where sailors trained before going overseas. Like the rest of the country, Boston was fully immersed in wartime efforts. Over 100,000 male Bostonians between the ages of eighteen and forty-five registered to be drafted in early September. The federal government’s Liberty Bond campaign to offset the cost of war was in full swing, with Boston expected to raise 129 million dollars through the sale of bonds at Liberty Loan parades and drives. 

Boston Globe, September 2, 1918.

A “Win-the-War-for-Freedom” Labor Day parade held on September 2, 1918, consisted of 4,000 people; civilians, soldiers, and sailors from Commonwealth Pier mingled, spreading the virus among Boston residents. The parade wound around Boston Common, quite close to the Gibson family home at 137 Beacon Street. 

Charlie Gibson, Boston, and the War in Europe

This blog post is part of a series about the Gibson family and the lead-up to the 1920 presidential election, which promised "a return to normalcy" after many years of social upheaval. Read about the Gibsons and suffrage here and Boston during the flu epidemic of 1918 here.

Charlie Gibson, a Citizen Soldier: The Plattsburg Movement and the First World War 

On May 7, 1915, a German submarine torpedoed and sank the HMS Lusitania, a British cruise liner traveling from New York City to Liverpool, England. Almost twelve hundred people died in the attack, including 123 Americans. 

Gibson House Museum

For almost two more years, President Woodrow Wilson maintained official neutrality and a policy of American isolation. Others in the United States believed that American entry into the conflict was inevitable and joined the Preparedness Movement, an effort to ready American troops for war. Led by individuals such as former president Theodore Roosevelt and General Leonard Wood, the Preparedness Movement gained much of its membership from upper- and middle-class Americans in the Northeast. 

Part 3: The Poet

This post is the third of a three-part series on the life and writings of Charles Hammond Gibson, Jr., founder of the Gibson House Museum. You can read the first part here and the second here.

The mysteries of our lives resolve themselves very slowly with the progress of years. Every decade lifts the curtain, which hides us from ourselves, a little further, and lets a new light upon what was dark and unintelligible.

—Oliver Wendell Holmes, 1896

A portrait of the artist as a young man: independent and well-traveled, Charles Hammond Gibson, Jr. (1874–1954), the bachelor-poet of Boston, achieved early success. His first two books, Two Gentlemen in Touraine (1899) and Among French Inns (1905), both on French

Charles Hammond Gibson, Jr., c. 1920.

travel, were so popular they went into second editions. In Two Gentlemen in Touraine, Gibson explored the art, architecture, and social customs of rural France, depicting it as an enchanted “fairyland,” a greenwood and pastoral escape route in the gay Arcadian literary tradition of the Victorian era—in sharp contrast to the cooler, monochromatic stones of old Beacon Street. As explored in the second blog post in this series, Two Gentlemen in Touraine told a thinly veiled autobiographical tale of initiation into the transatlantic gay subculture of the 1890s, with the Count Maurice Mauny Talvande as guide and mentor. Among French Inns takes the form of a travel book embedded in a comic novel—a farce—containing a wry parody of Isabella Stuart Gardner and John “Jack” Lowell Gardner, Jr. in the character of Mr. and Mrs. James Blodget Wilton.

Gibson’s first love, however, was poetry, and in the first decade of the twentieth century he produced two substantial volumes, The Spirit of Love and Other Poems (1906) and The Wounded Eros (1908). Working closely with the Riverside Press of Houghton Mifflin, he planned to produce a total of four volumes, to be bound as an elegant set, including Odes and Elegies (1908) and Dialogues and Satires (1909). The last two volumes were never produced, although most of the poems were prepared in manuscript.

Part 2: Two Gentlemen in Touraine: A Pilgrimage to Fairyland

This post is the second of a three-part series on the life and writings of Charles Hammond Gibson, Jr., founder of the Gibson House Museum. You can read the first part here. 

Let us then take a sweeping glance around, for we may not have another half so grand, half so fair, or half so high, while we are in the old Touraine which lies before us, there in the last orange glow of the departed sun. And if we follow these avenues of the roof below us, if we wind our way around these great towers, around the high and pointed roofs of slate, we may well imagine ourselves in some fairyland. This maze of cupolas, of domes, of towers, appears more bewildering to us than ever. And we lean against the stone, in an artistic intoxication, so overpowering is it.

 

—Charles Hammond Gibson, Jr., Two Gentlemen in Touraine (1899)

In 1899, when Charles Hammond Gibson, Jr. (“Charlie”) published Two Gentlemen in Touraine, a lighthearted but sophisticated book about the historic and picturesque French royal chateaux of Touraine, he was just twenty-four years old. A young Bostonian educated at elite New England prep schools, he also briefly attended the Massachusetts Institute of Technology, where he became captivated by French history and architecture. Charlie had talent, a refined sensibility, and an entrepreneurial spirit. His family, part of the last wave of Boston’s Brahmin elite, wanted him to become an engineer of some kind and so sent him off to MIT, then called Boston Tech and located, like his family’s fashionable brownstone residence, in the Back Bay. Charlie would later recall that he resisted such a utilitarian path. “I wanted only to create beauty, and, through my verse and my garden, I think I’ve done that.”

In the twilight of the Brahmin era, estates and inherited wealth were divided and subdivided; young men had to pursue careers and establish themselves, socially and financially. And so Charlie’s decision to become a traveling bachelor-poet created tension at home, especially with his father, Charles Gibson, Sr. Although mitigated by a close and loving relationship with his mother, Rosamond Warren Gibson, this tension would come to define his life in significant ways. A similar pattern of intra-familial conflict would play out with other gay men of Charlie’s generation, and beyond, in legal struggles over inheritance and, in some cases, disinheritance.

Manuscript copy of the first chapter of Two Gentlemen in Touraine.
Collection of the Gibson House Museum