The icon is of St. Mark (San Marco), the patron saint of Venice. On the wall to its right is a copy of Flora, a well-known painting by Venetian Old Master Titian. If Paris is sometimes considered the essential European destination for American travelers today, Venice held the same appeal for late-nineteenth-century American travelers. It wasn’t necessarily a center for contemporary art or fashion; rather, it represented an old Europe that Americans found exotic and romantic. Venice was no longer an international powerhouse, but its Renaissance-era art and architecture reminded travelers of its previous glory (in a distinctly non-threatening way).
Tuesday, May 3, 2022
Venice and Boston: A 19th Century Love Affair
The icon is of St. Mark (San Marco), the patron saint of Venice. On the wall to its right is a copy of Flora, a well-known painting by Venetian Old Master Titian. If Paris is sometimes considered the essential European destination for American travelers today, Venice held the same appeal for late-nineteenth-century American travelers. It wasn’t necessarily a center for contemporary art or fashion; rather, it represented an old Europe that Americans found exotic and romantic. Venice was no longer an international powerhouse, but its Renaissance-era art and architecture reminded travelers of its previous glory (in a distinctly non-threatening way).
Friday, April 29, 2022
The 19th Century Allure of Roman Ruins
In 1898, after a year of study at MIT for architecture, Charlie Gibson took an extended trip to Europe. It was common for wealthy American men to make such a trip—to cap off their education and before settling down to work and family—known in nineteenth-century parlance as a Grand Tour. The Grand Tour could include a variety of European destinations (some even traveled as far as Turkey), but the essential stops were London, Paris, Venice, and Rome. Travel to Rome, in particular, was seen as a chance to complete a classical education, specifically through study of the architecture and history of ancient Rome.
Traveling to Rome was difficult in the nineteenth century. A robust tourist industry had developed by the eighteenth century, and yet transportation, lodging, and access to reliable guides remained sketchy. Some Italian architects and artists made a living serving Grand Tourists. Giovanni Batista Piranesi was one. Starting as early as 1740, Piranesi worked in Rome producing views of the ancient Roman ruins. For many, Piranesi’s depictions of Rome were the way they imagined and understood the city.
Thursday, February 24, 2022
The Acquaintance of Charlie Gibson, Jr. and Isabella Stewart Gardner
Drawing Room at 152 Beacon Street, 1900. Image: Gardner Museum |
Wednesday, December 22, 2021
To Mold or Not To Mold: A History of Food Molds from the Victorian Era to Today
One notable feature of these objects is their versatility. Molds made of copper, pewter, or tin could be used for the baking, steaming, and setting of jellies, cakes, custards, and puddings. One type of mold in the Gibson kitchen is an ice cream mold, a technology pioneered by Agnes Marshall. Her 1885 seminal work, The Book of Ices: Including Cream and Water Ices, Sorbets, Mousses, Iced Souffles, and Various Iced Dishes, showed readers how to use her inventions, including molds and ice cream freezers, alongside recipes. Molded foods were conveniently labor saving for kitchen staff and women homemakers. They could be prepared around a day before the meal, then the mold could be removed just before serving.
Thursday, July 15, 2021
In Sickness and In Health: Dr. Freeman Allen, Mary Ethel Gibson, and Mental Health and Addiction
This blog post is part of an occasional series about the Gibson House Museum Archives, a repository of personal documents and photographs from the Gibson family. The archives are accessible by appointment; contact mgholmes@thegibsonhouse.org to make arrangements.
“I said that although I had always thought that it might be best to resume work in Anesthesia on a moderate scale, that you had absolutely declined to have me do this and that I had definitely made up my mind to be guided by you in the matter, and that of course if you did not want me to do it and would not stand for it, that settled it.
. . .
I will now follow your advice and take a rest before the walk which I hope will take place.
I am, darling little Wesscat, with more love and gratitude than I ever felt before in my life, and many kisses for your sweet little self,
Your affectionate husband
Freeman”
Gibson House Museum Archives. |
Friday, April 2, 2021
1898 Mangle: Laundry Is the Mother of Invention
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Trade card for the Bench Wringer Collection of Historic New England |
Thursday, February 11, 2021
Thomas Dalton, Boston Abolitionist (1794—1883)
The women of the Gibson Family—Catherine Hammond Gibson, Rosamond Warren Gibson, and Mary Ethel Gibson Allen—kept albums filled with photographs of relatives and friends. These images were typically studio portraits, traded as part of the custom of leaving calling cards when paying someone a social visit. At the Museum, we find them to be a helpful "who's who" of Boston, and especially the Back Bay, in the nineteenth century.Gibson House Museum( 1992.401.82)
In two different albums, Catherine included a photograph of Thomas Dalton. Dalton was a free African-American man born on the North Shore in Gloucester in 1794 who became a well-known activist and abolitionist in Boston's Black community. At the age of twenty-three, Dalton moved to Boston, where he first worked as a bootblack. He eventually opened his own used clothing store on Brattle Street and went on to become a prosperous merchant. His store, located near today's Government Center, was at the foot of the west slope of Beacon Hill, the center of Boston's Black community.