Pair of floor vases, Ch’ien Lung period (1736-1786), Canton. Gibson House Museum. |
“As we pass up the
Grand Staircase…we come to the Music Room, on our left with double doors of
black walnut, …with the original portieres of pink and gold…; pink and blue
floral pattern on a pale ground of pale yellow cream, in harmony with the
Chinese porcelains.”
So begins Charles Gibson Jr.’s tour of the music room,
written in 1939 soon after he started to think about his childhood home as a
museum to Victorian culture and society in Boston.
Those Chinese porcelains that get top billing in his tour are
a collection of eight matching pieces: two garden seats, two flowerpots, two
jardinières (flower stands), and two floor vases. The pieces are decorated with
floral designs and Chinese figures; the color palette, known as “famille rose,”
is dominated by shades of pink and red. Over two feet tall, the floor vases, or
palace vases, flank the fireplace. They are a focal point in a room filled with
treasures.